Warning: sem_get() [function.sem-get]: failed for key 0x152b: Permission denied in /home3/thankyo3/public_html/wp-content/plugins/wp-cache/wp-cache-phase2.php on line 98 Thank you for listening » You wanna fight?
I am going to form a dj cover band called Orbital When They Were Awesome.
Me and my partner are going to mock up racks of gear and wear the little head lamps and play songs from classic orbital live sets. It will be just like as if you were at a mid 90’s rave like Glastonbury listening to Chime for the first time. (Your choice of 1994 or2004 versions)
The opening act would either be ‘Ardfloor, or Underwhirled. Possibly both.
6 hours of classic techno played exactly like you remember (or want to remember) it.
PROMOTERS!!! Act now and receive a free after hours party with Doc Martini performing such classics as “Unlock the House tape one side b” and “Wicked 09/15/95 last half of side a”
Upcoming Gigs: 10/10/09 Plawtin. 6 hours of classic Windsor Techno playing in Detroit REPLAYED LIVE in Seattle.
I am playing a techno rave party in a couple weeks. Adam X and Brian Zentz, Brandon Plank and myself are playing. Spirals, the promoter has a massive fuck-off turbosound rig, imported from the Greatest of Britain.
I sat down with Dan Dagen aka Spirals last week to talk shop, go through a substantial record collection and try to ignore the stacks of speaker cabinets that take up 60% (seriously) of his living room.
He pulled up a stack of records, I pressed record on my laptop and off he went, playing an hours worth of techno in what seemed like 20 minutes. Maybe I am just hungry for beats, but he played everything I needed to hear that day.
After, we played every dj’s favorite game: “have you heard this one?” for 2 hours. Yes.
1-sleeparchive- acd bleep- Research EP
2-sleeparchive- bleep 02- Recycle EP
3-sleeparchive- image photometer- Infrared Glow
4-surgeon- black jackal throwbacks- Force + Form
5-surgeon- sleep (ultravilotet)- Body Request
6-diversion group- all boys/no girls Playground Procedure
7-regis- execution grounds- Divine Ritual
8-portion reform- suffocate- The Supreme Negative
9-regis- aftertaste of guilt- Exercise For Institutions
10-function- disaffected- Anticipation
11-regis- white stains- Penetration
12-ancient methods-untitled – Second Method
13-the advent- light years away- Light Years Away
14-the kooky scientist- old vs. neav- O.L.D. vs. N.E.A.U.
15-sven vath- mind games-Mind Games
16-joris voorn- state of inner soul- The First Sound
17-robert hood- razr- Hoodmusic 1
18-james ruskin- return (original)-Return
19-regis and female- c/chaos- Faith Is Fear
Today is the first day of summer. I am sitting in the studio in my sweat shorts, and polo, with long black socks on, all the shades drawn, door locked and not taking any phone calls. Why? Should I be cycling around the lake, or slumming on some beach somewhere looking at this years fresh crop of “adults”? Perhaps sneaking a steak on the unused “vegetarian” grill at a house party some where?
No. Not when there is good work to be done in this world.
Soul Music. Funk Music. Deep Blues. This is music made for both big feelin’s and feelin’ big. No room lackluster. No room for anything but letting it all out, no matter if you have a tissue handy or not.
All you do is pick a hand-full of JAMS, set your levels and go. Some days it is just that easy. Today was that day.
This mix clocks in around 30 minutes. 8 assertive, rockin’ out party tracks. I was thinking about the Flammable show last week, and when putting away my records I grabbed a couple I played and a couple more and jammed out for a bit. Does anybody play this fast either? I never play this fast, but jeesh, It just came out at me.
I played a little dark at rebar, and my feeling was I played a little too dark, but like Brian says “play how your feeling”. The relationship is over, I am trying to sort out a new home, my finances, my music ect. I played how I felt, and this mix continues with that feeling.
I am going to try something new too. Instead of putting out the tracklisting with the podcast, I will wait a week. My pea is thinking that less people listen if they know what to expect. I am guilty of that too. There is also the fact that some people will not listen unless they know what to expect. Guilty x2.
Maybe it all comes out in the wash.
The track listing has arrived.
1. Ian Pooley – Revelations – Definitive
2. Head Nodding Society – Nudge Up – Classic
3. Ooze – Down Up -Work
4. Josh Wink – You are the One – Nervous
5. Ian Pooley – Allnighter – NRK
6. Underground Resistance -HardLife Aaron Carl Remix – UR
7. Steve “Silk” Hurley – The Word is Love – Kelly G Dub – Silktone
8. Swag – Version 06 – Version
Do not pass go, nor collect a buckfitty.
Nothing poignant to read here. Breaks over 4, a couple of 303’s and a really, really sleazy vocal put the grease right where it belongs. Think Hardfloor remixing the Detroit Grand Pubahs. I am not saying it is that good, I am just saying that is what I was aiming it.
This is the kind of tune I would have gone apeshit over when I was 16. To be honest, I felt like I was 16 while making it. Isn’t that what it is all about anyway? I used to work with a girl, an artist, and she had an attitude that if you are having fun, you are wasting your time. “You have got to take this seriously, this is ART!”
Fuck that. This ain’t art. If you ain’t having fun, you ain’t doing it right.
Sometimes I wonder how get get to where we are. I don’t mean me, I mean the House music scene. This is from a thread on a house music bbs, where someone who didn’t get paid and decided that they were tired of getting the run around and called the label out in public.
Here is a response from some guy in quotations, and my take.
I am on his XXXXX Imprint as “XXXXXX” and on XXXXXXX a couple of times as well…I have not been paid from any of those projects and have a remix that i am slated to do for XXX in the near future
This whole “calling out people who are hurting the scene is hurting the scene” attitude is unbelievable.
Can someone who has a backbone please explain this to me?
XXXX doesn’t get paid not only once, not twice, but at least three times and still lines up for a fourth go? You want to do a remix for me?
If you have a problem with getting paid by a label….talk to the label….UGH shouldn’t be used as a last resort to get paid.
If they cannot get the label to talk to them or pay up, how should they go about getting paid? Maybe they should try talking to the label? What about offering to do another release in hopes of getting back in favor?
Is there a limit to releases you should give to a label before you decide that maybe they do not respect you? 5? 3 E.P’s and a remix?
Some of these people have apparently forgot. IT’S JUST HOUSE MUSIC.
For you it is, I am sure. You act like it.
Those who actually take it seriously have another opinion.
"The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free and good men die like dogs. There's also a negative side."
--Hunter S. Thompson
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