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	<title>Thank you for listening &#187; Live Sets</title>
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	<description>House, Techno, Soul and Disco, for the discerning fly-fisherman.</description>
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	<copyright>Copyright &#xA9; 2012 Thank you for listening </copyright>
	<managingEditor>writemathew@gmail.com (Thank You For Listening)</managingEditor>
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	<itunes:summary>House, Techno, Soul and Disco, for the discerning fly-fisherman.</itunes:summary>
	<itunes:keywords>House, Deep House, Techno, Electronic, Electronica, Seattle, Chicago, Dance</itunes:keywords>
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	<itunes:author>Thank You For Listening</itunes:author>
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		<title>Studio daze.</title>
		<link>http://www.thankyouforlistening.org/2008/04/16/studio-daze/</link>
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		<pubDate>Thu, 17 Apr 2008 06:41:06 +0000</pubDate>
		<dc:creator>Mathew</dc:creator>
				<category><![CDATA[Live Sets]]></category>
		<category><![CDATA[blah blah blah]]></category>

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		<description><![CDATA[I have been busy getting a new live set together, both getting new material ready for the live set and actually changing how I actually interact with my songs. With me, there has been a trade off in how much manipulation I can do to each song live, versus how preprogrammed my sets are. If [...]]]></description>
			<content:encoded><![CDATA[<p>I have been busy getting a new live set together, both getting new material ready for the live set and actually changing how I actually interact with my songs. With me, there has been a trade off in how much manipulation I can do to each song live, versus how preprogrammed my sets are. If you are unfamiliar with what I actually do when playing live (Mom and Dad, listen up) here I a good nutshell to pack it into. When you head a track on the radio, the DJ is usually playing a cd. The cd has already been mixed and mastered, and what you hear when you press play is what you get. Now, you might turn up the bass a bit if you are driving, but if you wanted to take out the horn section, you are unable too. Since I write all of the music I play live (as opposed to my DJ sets) I have access to all the &#8220;parts&#8221;, the drums, the vocals. I can even get more cowbell.</p>
<p>In the past I have taken each individual part (track) and had them laid out so I could raise and lower the volume, add effects, eq or whatever. I had these insanely complicated grids of of songs and every time something changed, it was because my fingers pressed a button or twisted a knob. The upside is that I have access to every sound and the downside was that because of the amount of information available, It was really tricky to transition smoothly between songs, so I would program a set list inside my computer.</p>
<p>The past two weeks have been spent organizing all of my songs and mixing them into a limited number of tracks-4-5 so that it would be easier to manage going between songs. I actually see a benefit in how detailed I can get in editing because I have more fingers between less tracks and can spend a little less time trying to find that stupid cowbell and more time just crunching the crap out of the main percussion track (or just grabbing the eq and boosting it a touch)</p>
<p>Hopefully my sets will be more flexible since I cut back on some of the overkill is have in my track counts. 14 tracks of stereo audio is a bit too much when you consider I needed to play 9-12 songs and remember what &#8220;clphnds-hi-synth2-rvrb.mp3&#8243; was. The biggest benefit to all of this is that I have taken some time and remastered a ton of the material I have, so that everything <span style="text-decoration: line-through;">will</span> should sound better.</p>
<p>I have been thinking about making a teaser for my upcoming show at  the Capitol Hill arts Center next week, but since my home life is so crazy right now I do not think I will have time. I may put up a mix or something, or I might give you a teaser for some of the newest stuff I have. think Basic Channel and Burial.</p>
<p>Sound Good?</p>
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